While I was looking forward to seeing The Evil Dead: Reimagined on the big screen, I have to admit that what I was hoping for, at best, was an interesting take on a classic film that would be filed away into my consciousness as an interesting experiment. Film fans generally don’t want anybody messing with the movies they love! Most of the time the retread does not improve the film for the audience. Therefore, you can’t really blame filmmakers for attempting to oil that squeaky wheel once and for all. When you’re the creator of these films, however, unrefined blemishes gnaw at your inner soul until they’re magnified to the point where it’s impossible to enjoy your own work. It’s what gives these films their character (remember the disaster of colorizing black-and-white films in the 1980s?).
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Audiences are extremely forgiving of dated visual effects, lost scenes, or subpar sound if that was the condition of the movie when they first experienced it. Once a film has found its audience, those who revere and relive these movies through repeat viewings, accept each film for what they are, warts and all. This often leads to unfavorable results for those who already have an established relationship with these films ( Star Wars: Special Editions are dead to me). As technology improves, more tools and resources become available tempting filmmakers to “fix” nagging issues that have long plagued their consciousness. When LoDuca approached Raimi about the possibility of releasing a version of the film with his new score attached, Raimi gave his blessing and used the opportunity to go back and create a 5.1 surround sound mix.Ĭonnoisseurs of cinema are not ignorant to filmmakers exhibiting tendencies to tinker with their earlier films. The new 4K restoration of The Evil Dead (1981), directed by Sam Raimi, features a new score which LoDuca composed, recorded, and released on vinyl ( Death Waltz Recording Co. The sold-out crowd was absolutely captivated by LoDuca’s raucous and creepy music! The ensemble was comprised of six musicians (two violins, viola, cello, contrabass, and keyboard) and the performance was sensational.
Prior to the film, Joe conducted approximately thirty minutes of new music inspired by the movie. One of the highlights for me was going to the world premiere of The Evil Dead: Reimagined (2019) with composer Joseph LoDuca in attendance. The film was dedicated to Irvin Shapiro, who died during the film's production in 1989 on New Year's Day.Several weeks ago I had the pleasure of attending MondoCon 5 at the Palmer Events Center in Austin, Texas. Since its video release it has acquired a cult following, along with the other two films in the trilogy. It grossed $21.5 million total over a $11 million budget, and received positive reviews, though notably less than the first two films. were responsible for the Ash & Sheila makeup effects, while Kurtzman, Nicotero & Berger EFX Group was credited for the remaining special makeup effects characters.Īrmy of Darkness premiered at the Sitges Film Festival on October 9, 1992, and was released in the United States on February 19, 1993. The makeup and creature effects for the film were handled by two different companies: Tony Gardner and his company Alterian, Inc. Filming took place in California in 1991.
The film was produced as part of a production deal with Universal Studios after the financial success of Darkman. It is the third installment in the Evil Dead franchise, and continuing from Evil Dead II, Ash Williams (Campbell) is trapped in the Middle Ages and battles the undead in his quest to return to the present. "ED3/AoD" is a 1992 American horror comedy film directed and co-written by Sam Raimi, co-produced by Robert Tapert and Bruce Campbell and co-written by Ivan Raimi.
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